I Still Know What You Did Last Summer : 1998 : Written by Trey Callaway, Directed by Danny Cannon. Starring : Jennifer Love Hewitt,Freddie Prinze Jnr,Brandi Norwood,Mekhi Phifer,Muse Watson,Jack Black (Uncredited) Bill Cobbs,Matthew Settle,Jeffrey Combs,John Hawkes,Jennifer Esposito,Benjamin Brown,Ellerine Harding,Red West Julie James has'nt been the same since last summer when her friends were brutally murdered. Still harbouring guilt over her role in the death of a fisherman, her college grades have slipped and her relationship with her high school sweet heart is on the rocks. When her best friend Karla Wilson wins an all-expenses paid trip for four to the Bahamas,she starts to think that maybe her luck is changing for the better: However; the moment they hit the picturesque island, havoc ensues. Their romantic getaway turns into a vacation of murder and mayhem that soon has Julie and friends running for their lives. The spine tingling horror of I KNOW WHAT YOU DID LAST SUMMER continues in this sequel that will keep you on the edge of your seat!

Characters

	Jennifer Love Hewitt : Julie James Julie is still on edge very much after a year has gone by,she knows Ben Willis's body was never found so she's convinced he's out there still,she even has regular nightmares about him.
	Freddie Prinze Jnr : Ray Bronson Ray is still in Southport,continuing with his fishing and with Julie,he is stronger than Julie it seems and knows that its all starting again when he reveals a "Dummy" in the road placed by Ben Willis.
	Brandi Norwood: Karla Wilson Karla is Julie's best friend and as far as she knows at first Ben Willis is dead and she just wants Julie to relax and have a good time whenever possible,she dates Tyrell and also wins the radio competition for the trip.
	Mekhi Phifer : Tyrell Tyrell is someone full of energy and full of love meant for Karla,he loves his women and when revealed that Ben Willis is still around he doesnt believe it at all,all he wants to do is have some quality time with Karla.
	Matthew Settle : Will Benson Will is at first a kind caring individual,who seems to be attentitive to Julie when she has her nightmare,he turns out to be Ben Willis's son and has evil thoughts in mind for what him and his dad will do to Julie.
	John Hawkes : Dave Dave is like Ray and works in Southport as a fisherman,he suggests to Ray that he should pull his "Ugly Stick" out of his ass and head to Julie to go to the Bahamas,he doesnt like it when Ray stops the truck to examine what turns out to be a "Dummy"
	Red West : Paulsen Paulsen owns boats and takes holiday maker's to Tower Bay island,we dont know much on him but he doesnt get targeted by Ben Willis,only right really because he's as innocent as anyone."Old man my ass!!"
	Jeffrey Combs: Mr Brooks The hotel manager! Mr Brooks seems to hate youngsters of any kind and hasnt any problems,he seems to like to keep it that way,
	Jack Black : Titus Telesco (Uncredited) Titus is the islands stoner and a hotel employee,all he seems to think about is women around the area and where the latest "Kick ass" party is going to be,his Scare to Derrick is not appreciated.
	Benjamin Brown : Derrick "Derrick the Dockhand" Seems similar to Titus and Tyrell when it comes to "Women interest" but he has to do his job aswell,whilst making sure all boats are secure he gets a scare,one from Titus,and a visit from Ben Willis!
	Bill Cobbs : Estes Estes has worked at the hotel a long time and knows alot of information about its past employees,one being Ben willis who worked there with his wife,who one day cheated on him,the killing began!
	Jennifer Esposito : Nancy Not alot is known about Nancy apart from the fact that she has had recent "Man Trouble" and apparently shot him,she works in the hotel bar and realises that when Julie and friends turn up people start dying.
	Muse Watson : Ben Willis Ben Willis was one angry man at first,since Julie and her friends hit him and then had confrontations with him he has become worse,he enlists the help of his son to help him get to Julie to finish her off.
	Ellerine Harding : Olga Not alot is known about Olga either apart from the fact that she seems pig ignorant when Julie calls to her and that she just plods along doing her job normally,until she knocks on the wrong door someday!

Trailer





Bloopers

A Colt revolver like the one Julie uses to shoot Ben Willis in the climax only holds six shots. Julie fires eight times.

After Ray's accident, he walks down the street his left arm is in the sling, and afterwards, every other shot shows his right arm in the sling. (this is probably due to the film being "flipped" to look better).

When Julie offers Ray to the Bahama's, and Ray hang's up, his friend Dave knows that she invited him to the Bahama's, without listening or anyone telling him.
(Although if you watch the scene you see and hear Ray mention the Bahamas and Dave is listening,so i dont agree with the Blooper fact as such because its perfectly explainable.)


Trivia

After the credits are over, there is the sound of a hook slashing through flesh and Ben Willis' horrific (distorted) laugh -- could this mean that Julie really was a gonner?

Jennifer Love Hewitt's stunt double in the movie was also the double for Sarah Michelle Gellar in the original "I Know What You Did Last Summer"


Cut Scenes

I Still Know What You Did Last Summer cut scenes taken from an original published edition of the script by Trey Callaway from 1998.

ORIGINAL OPENING
Whereas in the original IKWYDLS it was the end that was changed, in I Still Know What You Did Last Summer it was the opening sequence that was altered. No "script snippet" is available, but you can read an interview given by Love Hewitt regarding the original opening...


Whereas in the original IKWYDLS it was the end that was changed, in I Still Know What You Did Last Summer it was the opening sequence that was altered. Straight from the mouth of IK star Jennifer Love Hewitt herself, here is what was originally planned to happen at the beginning of I Still Know: "Julie was in bed having a dream and all of a sudden she wakes up screaming and turns over and Ray is there. He has come to stay for the weekend and is sleeping and asks if she's okay and she says 'yeah' and goes back to sleep. You don't know whether it's a dream or real. Then Ben crawls through the window and when she opens her eyes he's standing in front of her. She jolts out of bed, except nobody's next to her now, and runs down the hallway [of the dorm]. There's a long chase and he catches her on the ankle a couple of times. Blood starts dripping on the floor and she slips on that which makes it harder to run. Her hands get bloody because he catches her on the wrist, so she grabs the door-knob to get out and because of the blood on it that slips too. Finally she runs into her high school gym where they were going to film because the floor separates above a pool. So she's running through it when he [Ben Willis] hits a button; the floor separates and she falls into the pool. Now it turns red because of the blood on her, and it was kinda scary because she's hyperventilating from running and starting to drown. He jumps in after her; she comes out the other side and has to kick open this glass. Now, of course, she is dripping wet and her clothes are very see-through. They were big on that. Anyway, she grabs a basketball jersey from this glass case and hits the button, and as the pool floor closes it crushes him."

In another interview, in which [director] Danny Cannon was asked about the religious undertones of the final cut opening sequence to ISK and giving a possible reason to why the opening was reverted to the final one, the director responded: "The film is about guilt. The promiscuity, drinking and obnoxious-ness that some teenagers pursue is punished because they have to be responsible. Since the fifties that's been the essence of this genre. I was sitting in a room with the writer and we were looking at the visuals. I was looking at the poster for the first film and in it Jennifer [aka Julie James] is wearing a crucifix and I said, 'Does she ever go to confession?' Then I thought: you could start the movie with Jennifer at confession. Jennifer never confronted Ben Willis properly in the first film except by way of an action sequence. So the idea for the opening sequence came from wanting her to confront the killer on a more psychological level.

CUT SCENE #1
"I STILL KNOW WHAT YOU DID LAST SUMMER" CUT SCENE #1

INT. CLUB - NIGHT
Tyrell and Karla go for it on the dance floor, leaving Will and Julie alone. They look at each other. They look at everyone dancing.

WILL
How about a drink?

Will is a few steps ahead as they move for the bar. Julie seems to be relaxing, having a good time. Then, she looks up into the balcony and sees, in a strobe light's FLASH --

SOMEONE IN A SLICKER

watching her intently. She squints for a better look, but he's gone.

WILL
(yelling over the din)
You okay?

She's chalk white and crestfallen. Her whole affect is "Will I ever have a normal time?" She drifts amay toward the stairs to the balcony.

WILL (cont'd)
Hey Julie?

Will catches Karla and Tyrell's eyes. They're worried.

INT. THE CLUB - STAIRCASE - NIGHT
Julie catches another glimps of THE SLICKER.

She pushes her way through the crowd up the stairs.

INT. THE CLUB - BALCONY - NIGHT
Julie looks all around -- finally spotting the MAN IN THE SLICKER from behind, making his way to the other side.

He slices through a crowd of students, and Julie keeps following. He turns down a service corridor.

Julie follows, frightened, but unable to resist.

She catches him at the end of the corridor. She reaches out and grabs the stranger's arm.

JULIE
Ben...

The stranger turns around. It's only a club kid in a tacky vinyl raincoat and hat. She's shaken.

SLICKER GUY
Hye, baby. You following me up
here?
(a come-on)
Well, all right.

Julie turns away and hurries down the hallway. Todd follows, but his figure quickly fades.

THE SCENE FADES TO JULIE'S APARTMENT WHERE SHE WAKES UP AND HEARS THE CLUNKING OF KARLA'S SHOES IN THE WASHING MACHINE.

CUT SCENE #2
"I STILL KNOW WHAT YOU DID LAST SUMMER" CUT SCENE #2

INT. HOTEL - JULIE'S ROOM - NIGHT

Julie steps into her room. Closes the door behind her. She falls back against it, trying to calm herself down.

JULIE
There's no way...just stop it right
now...

She looks around the cozy room.

JULIE (cont'd)
Closet. Bed. Bathroom. No need to panic.

Julie starts to undress, get ready for bed, the day of travel finally catching up with her. She grabs something to sleep in. Tosses it on the bed. And that's when she sees it,

CLOSE - ENVELOPE

propped on the pillows. Her name written across. She is frozen momentarily.

Almost against her will, she moves toward the envelope. She reaches down and picks it up.

She hesitates, then opens the envelope. She pulls out a SINGLE WHITE CARD.

ANGLE ON THE CARD

In bold print it reads: SURPRISE!

DARK FIGURE appears over Julie's shoulder. Julie can feel the presence. She spins, scaring --

WILL

who YELLS and drops the flowers and champagne he was holding. The bottle bursts and covers them with spray.

JULIE
(realizing)
Oh, Will! I'm sorry.

WILL
It's my fault. I shouldn't have...I
didn't think...

She grabs a TOWEL off the bathroom door, trying to help him clean up the mess.

JULIE
No, no, no. This was really sweet...

WILL
I scared you -- I crossed the line --

JULIE
No -- it's not that. It's...I'm just a
little on edge. I'm really sorry.

WILL
Hey, you don't have to appologize to me.
I'm the one. I understand.
(covering the awkwardness)
I'm going to take a walk and dry off.

JULIE
Are you sure? I really appreciate it.

He picks up a rose. Most of its petals on the floor.

WILL
I just really like you and I want you to
feel good about everything...You know? I
want you to be happy.

He hands the rose to her. There's a moment between them. He
reluctantly heads for the door.

CUT TO:

EXT. HOTEL HALLWAY - NIGHT
Will looks down at his wet pants.

WILL
(soto)
Dork.

Passing Karla and Tyrell's room on his way down the hall, Will spots the DO NOT DISTURB SIGN.

He hears an INCREDIBLE POUNDING from inside. He shakes his head and mopes down the hall.

SCENE CUTS TO KARLA AND TYRELL'S SCENE IN THE BEDROOM

CUT SCENE #3
"I STILL KNOW WHAT YOU DID LAST SUMMER" CUT SCENE #3

EXT. HOTEL DOCKS - NIGHT

Derrick, the dockhand, whistles in the darkness as he coils the bow rope of a service boat around a cleat on the dock.

Ominous shadows play all along the dock. Out on the water there's a big SPLASH.

The dockhand rises, looking out at the water with a sigh.

DERRICK
Damn. I should've brought my pole.

He turns away. As he does, we see

THE END OF THE DOCK

where a sinister SLICKER FIGURE stands perfectly still, silhouetted by moonlight.

Derrick paces down the dock the other way past a handfull of other tied-off staff and service boats.

He picks up a hose and begins spraying down the hull of a Sunfish sailboat.

He turns the hose off and begins coiling it, backing toward an EQUIPMENT SHACK. Suddenly, a HAND touches him on the back. He jumps and turns to see --

TITUS

standing there smoking a spliff.

DERRICK
Get lost, you scared me.

TITUS
Fish are all over the water...Come on,
let us take a boat out.

DERRICK
Titus, you're so stoned, you'd end up
in Spain.

TITUS
That's why you'll come with Titus, mon.

Derrick throws the hose in its place.

DERRICK
There's a storm comin', Titus. No boats
are going out.

TITUS
Storm is what makes it interesting.
Thass why all the fish are up. Less
hook us a couple big ones.

Derrick is now ignoring Titus.

DERRICK
I got work to do. Take the bake
elsewhere.

TITUS
Up-tighteous and self-righteous.

Titus glides away into the dark. Derrick watches him go. There's another SPLASH in the water near the dock.

Derrick walks to where the splash was. He kneels down by the edge -- watching BUBBLES RISE from the dark water below.

DERRICK
(to the fish)
Hello, little sea bass. You're lucky
I'm busy or I'd hook you myself.

WE PUSH IN AS HIS FACE GETS CLOSER TO THE WATER --

AND THEN -- RISING SLOWLY FROM THE DARK WATER DIRECTLY BEHIND THE DOCKHAND -- A SINISTER SLICKER.

Derrick hears A SPLASH -- and just in time for...

SPLAT! THE OLD HOOK IN THE EYE. THE FISHERMAN PULLS HIM DOWN. HE SCREAMS -- BEN YANKS ON THE HOOK -- AND DERRICK'S CRUMPLED BODY FALLS INTO THE WATER.

ANGLE ON THE WATER

as poor Derrick's BLOOD MIXES WITH BUBBLES...

CONTINUES INTO THE SCENE WITH KARLA AND TYRELL IN THE JACUZZI, BUT THE FOLLOWING, WHERE JULIE FINDS DERRICK'S BODY, DIFFERS TO THE FINAL CUT:

INT. JULIE'S BEDROOM
She steps out of the bathroom, crossing toward the door.

JULIE
Will?

No answer. She peers through the PEEPHOLE.

JULIE (cont'd)
Is that you?

She unlocks and opens it. Nobody there.

Julie quickly closes the door and relocks it, her heart rate just begining to rise again as...

KLUNK-KLUNK. She hears it again. Then, the sound STOPS. But standing at the door -- she realizes that's not where it came from. Her eyes immediately go to...

THE CLOSET. Damn. That's where it came from. She slowy pads across the room in her slippers toward the door. Trembling...she reaches for the handle...AND TUGS IT OPEN!

There's NOTHING. She stares a beat. DRIP DRIP DRIP.

She sees something on the floor of the closet. She touches a finger to it.

IT'S BLOOD.

She looks up.

THE DOCKHAND

comes dropping down at her, dangling, enmeshed in barbed wire. He's dying before our eyes. Blood bubbling from his mouth. His body twitching. Julie stares at the body. She's almost catatonic. She blinks. She blinks again.

Suddenly, in DEATH CONVULSIONS, his arms fly toward her --

She SCREAMS --

CONTINUES AS SCREENED.

CUT SCENE #4
"I STILL KNOW WHAT YOU DID LAST SUMMER" CUT SCENE #4

INT. HOTEL CORRIDOR - NIGHT
Olga, the maid, pushes her laundry cart toward the end of a long, dimly lit hall. She sees a pile of dirty linens outside of a room --

ROOM 228.

She stops, perplexed. There's nobody staying in this room. She picks them up and stuff them in her cart. Then she knocks on the door.

OLGA
Housekeeping.
(beat)
Housekeeping.

She knocks again and notices her hand leaving bloody marks on the door. She looks at her other hand. Her arms and hands are covered in blood.

She turns back to the linens. Something bloody is wrapped inside of them. She paws at the sheets, trying to unravel the mystery --

The door the Room 228 slowly cracks open. A STEEL HOOK reaches out and slices into her apron. It tugs. She turns, and she starts to SCREAM, she is yanked into the room.

A DO NOT DISTURB sign flips over the handle and the door SLAMS shut.

We hear her SCREAMS from inside.

CUT SCENE #5
"I STILL KNOW WHAT YOU DID LAST SUMMER" CUT SCENE #5

INT. HOTEL CORRIDOR - DAY

Will and Tyrell step out of the room into the long, empty corridor. They cross to a balcony overlooking the lobby. The whole place seems deserted.

TYRELL
Where is everybody?

WILL
(gallows humor)
They're all dead...Dead, I tell you.
(ghostly)
Ahhhh, we're all deaaaddddd. Tyrellll,
joinnnn usss.

Will's voice echoes across the lobby. Tyrell is maybe a little nervous, but hiding it.

TYRELL
Shut up.

They walk down the steps to the lobby.

INT. HOTEL LOBBY - DAY
They cross the lobby.

WILL
(calling out)
Hello?
(worried)
There's nobody here, Tyrell.

Tyrell's already out the front entrance.

EXT. HOTEL - DAY
Will and Tyrell exit the hotel and make their way down the steps outside and go splashing across the flooded grounds. Debris from the storm is scattered all around them.

TYRELL
They're around...They just don't
care about us 'cause we're the
contest winners.
(beat)
Let's go find Stoner Boy...Make his
lazy butt hook us up with fishing
poles or Ping-Pong paddles or
something.

WILL
(nervous)
You know, the greenhouse effect has
caused the gulf stream to shift and
almost every meteorological expert
expects a dramatic increase in
tropical depression --

TYRELL
Hey -- shut up, okay?

Tyrell keeps walking. Will looks around at the wind-and-water-swept vista. Not much of a day for activities.

WILL
(sotto)
I don't like to fish.

Tyrell moves across the grounds. He looks back. Will is stopped in his tracks, looking up at --

IN THE WINDOW OF THE BELL TOWER --

ESTES, staring down at them.

TYRELL
(calling to Will)
You coming?

Will trots after him, but he takes a glance back at the window...Estes is gone.

THE SCENE CONTINUES INTO KARLA AND JULIE'S WORKOUT IN THE GYM, AND THEN CONTINUES AS FOLLOWS...

EXT. HOTEL GROUNDS - DAY
Tyrell looks across the grounds and sees, at the far end of the tennis court,

TITUS'S POOL SUPPLY CART

half-obscured by the heavy fooliage surrounding the court.

Tyrell walks away from Will toward the cart. He hears the jam-box on the cart playing "TRENCHTOWN ROCK" by Bob Marley..."One good thing about music...when it hits you feel no pain..."

EXT. HOTEL TENNIS COURT - DAY
The open door of the entrance CLANGS against the fence in the wind. Tyrell decides to cut through the court to the far entrance and the cart.

INT. HOTEL TENNIS COURT - DAY
Tyrell walks across the court to the sagging net.

There is a RUSTLING in the foliage around the court. SOMETHING moving fast and quietly.

TYRELL
(calling out)
Hey, Bong Marley. Come here.

The door SLAMS shut behind him.

Tyrell looks back at the door. The latch seems to have stuck and it's no longer swinging.

Tyrell turns back toward the other door and sees

The PIT BULL

standing in the doorway. Tyrell stares at the dog. The dog GROWLS at Tyrell, low and menacing.

TYRELL
I'm gonna kill you, Bong Boy.

Simultaneously, Tyrell turns and the dog lunges forward.

Tyrell sprints to the door -- it's LOCKED by a length of metal slipped into the coupling.

He turns to see the dog bounding at him --

Tyrell leaps up the fence just as the pit bull lunges for him. The dog catches his pant leg. Tyrell kicks him away and frantically scrambles up.

The dog relentlessly barks and snaps as Tyrell climbs the fence.

WILL

looks in at the dog angrily charging the chain-link. He looks up at Tyrell.

WILL
Come on. Jump. I've got you.

He reaches out to try and catch Tyrell.

ON THE FENCE

Tyrell finally looses his grip and falls back, landing on top of Will. He rolls quickly to his feet.

TYRELL
Thanks.
(furious)
I gotta find me a pool boy.

CUT TO:

EXT. HOTEL POOL - DAY
Tyrell angrily makes his way past the outdoor pool bar as Will follows. Tyrell spots a tray of empty bottles. He picks one up and smashes it in half on the ground. He holds out the jagged bottle to Will.

TYRELL
Take this.

WILL
And do what with it?

Tyrell breaks another bottle in half.

TYRELL
Julienne of pool boy.

They move toward the nearby POOL HOUSE.

EXT. POOL HOUSE - DAY
Tyrell and Will stop outside the door. There's MUSIC from inside. More Bob Marley -- "Lively Up Yourself..."

TYRELL (cont'd)
I'm gonna throw the door. Get ready.

Tyrell opens the door and charges in. Will's right behind him.

INT. HOTEL POOL HOUSE - DAY
They spill into the room. A light fog hangs in the air. The two of them begin to COUGH and CHOKE.

Titus sits on the floor facing away from them, facing a window through which gray light pierces the gloom.

Titus doesn't move. He's too still. In front of him is a large BONG that still SMOKES SLIGHTLY.

TYRELL
Hey, pool boy.

Tyrell closes the distance and kicks Titus in the back.

Titus falls over like a block of wood, rictus already setting in.

His hands are bound behind him. The cord is tied off to some pipes
against the wall.

HIS FINGERNAILS SCRATHCED GROOVES

into the floor, scrabbling for the window and fresh air.

Will points out two empty one-gallon PLASTIC BOTTLES.

ANGLE ON THE BOTTLES

One is labeled CHLORINE, the other MURIATIC ACID.

Will pulls Tyrell from the pool house.

EXT. HOTEL POOL HOUSE - DAY
The two of them collapse, COUGHING and CHOKING.

TYRELL
What the -- ?

Will splashes a puddle of rainwater on his face --

WILL
That's chlorine and muriatic acid.
Put the two together and you get
cyanide.

Tyrell rolls over on his back next to Will, practically coughing up a lung.

TYRELL
Cyanide? Like poison gas?
(reality dawning)
You mean, somebody really killed
him...Omigod. Think...Think...

Suddenly, they both hear KARLA SCREAMING. They sprint for the main
building.

CUT SCENE #6
"I STILL KNOW WHAT YOU DID LAST SUMMER" CUT SCENE #6

INT. GREYHOUND BUS - NIGHT
Standard bus folks: old people in Panama hats, buzz-cut military geeks on holiday.

Ray sits in a seat. He's in pain and does not look good.

He pops a handful of pills into his mouth and washes them down with an Orange Crush --

A dignified OLD LADY has been watching him --

OLD LADY
People live healthy in Miami.
(sincere, but unsettling)
It's the future down there every day
of the week...The future.

Ray slumps back, waiting for the pills to work.

RAY
I'll keep that in mind.

CUT SCENE #7
"I STILL KNOW WHAT YOU DID LAST SUMMER" CUT SCENE #7

INT. HOTEL KITCHEN - NIGHT
Tyrell, Julie, and Karla approach the pantry -- a huge steel door.

INT. HOTEL KITCHEN - CONTINUOUS
Tyrell steps inside.

TYRELL
Steel door...Food...Perfect.

He starts looking for something to eat --

CLANK. There's a soft CLATTERING from somewhere in the room. Everyone freezes, staring into the darkness.

Tyrell puts a finger to his lips, then creeps down an aisle, listening. There's nothing but SILENCE.

He moves toward the first aisle...He jumps out. The aisle is empty. JULIE AND KARLA
move down an aisle behind him.

Tyrell ducks around to the second aisle. He slices the air, ready to pounce. This aisle is empty.

JULIE AND KARLA

nervously move another aisle down.

Tyrell moves stealthily toward the third aisle...This is it. He lunges forward into the row...Empty, also.

There's a small SOUND...A MOUSE scampers off under the shelves. Tyrell turns and smiles at Karla and Julie --

TYRELL
It's just a --

A ROLLING PIN

bashes him on the back of the head. Tyrell hits the floor, unconscious.

JULIE AND KARLA SCREAM

KARLA
Ty!

A DARK FIGURE jumps down from the shelves. Tyrell puts his arms up --

TYRELL
(yelling for mercy)
Don't kill me --

JULIE
Wait, it's Nancy --

Nancy, the bartender steps out of the shadows brandishing her rolling pin.

CUT SCENE #8
"I STILL KNOW WHAT YOU DID LAST SUMMER" CUT SCENE #8

INT. HOTEL FOYER - NIGHT
Julie, Karla, and Nancy run into the lobby. The storm is WAILING outside the front doors.

They pause for a second. Behind them we hear the rapid THUD-THUD-THUD of Ben's boots.

Nancy goes straight to a desk and pulls out a flashlight. She points to the main staircase.

NANCY
I know where we can hide.

INT. HOTEL STAIRCASE - CONTINUOUS
The women run up the stairs. Behind them, we hear Ben's FOOTFALLS echoing.

INT. HOTEL CORRIDOR - CONTINUOUS
On the top floor, they race toward the end of a dark hallway.

At the far end of the hall, Nancy illuminates a section of the ceiling.

NANCY
Give me a boost up --

Julie helps Nancy reach a pull cord in the ceiling.

A WOODEN LADDER

pulls down. Nancy quickly climbs up.

BEN WILLIS

enters the hallway and continues toward them.

ON THE LADDER

Karla slips, nearly knocking Julie to the floor. They both scramble upwards --

Ben hits the ladder --

Just as Julie reaches the top rung she SCREAMS --

BEN'S HOOK IS ON HER FOOT!

Nancy appears in the opening and throws a brick down at Ben. It hits him in the chest and knocks him back.

Julie makes it into the attic. They pull the ladder up behind them like a drawbridge.

INT. HOTEL ATTIC - NIGHT
Julie, Karla, and Nancy surround the hatch they've just shut. They fumble with it --

JULIE
There's no way to lock it.

KARLA
What do we do?

From below comes LAUGHTER. There's a tug on the hatch, cracking it open. The girls pull it back shut, but it's hard to get a grip.

There's more tugging, the hatch bending down; they can see Ben. Then, the rope SNAPS. The hatch slams shut.

NANCY
There's no way to grip this thing.

Suddenly the STEEL TIP of the HOOK pokes through the crack...It wriggles around...Turning...And begins to pull the hatch down.

They try to hold it...But it's no use. They let go and jump away.

The attic is lit by a cathedral window. It's crosshatched with wooden beams and pink insulation.

NANCY
Watch your step...

THUNK! Karla's foot goes through a gap between two beams.

SMASH CUT TO:

INT. HOTEL - KARLA AND TYRELL'S ROOM - NIGHT
KARLA'S FOOT

dangles through the ceiling.

SMASH BACK TO:

INT. HOTEL ATTIC - NIGHT
Julie helps Karla back up onto a beam.

NANCY (cont'd)
Stay on the beams!

Karla and Julie follow her precarious progress.

Ben climbs off the ladder to a beam. He watches them leap from beam to beam. His hook glints in the light.

Julie, Karla, and Nancy move toward the cathedral window. They turn. They are cut off. They spread out against the wall looking for an opening to get back to the hatch.

Ben feints toward Nancy then swipes at Julie --

He misses. She leaps away. She looks down. Instead of insulation, she sees a

WINDOW INTO THE HONEYMOON SUITE

She sees her bed through a one-way mirror. Julie stares, momentarily transfixed. Karla is edging her way around the side of Ben.

BEN
(re: the mirror)
You'd be amazed by what you'd see.
My wife with every man on the
island, for example.
(to Julie)
And you, sexy...I loved watching you.

JULIE
You sick freak.

Ben suddenly whirls and lunges at Karla. He grabs her, but they both lose their balance, teetering for a moment on one of the beams, before falling --

They CRASH through the mirror --

INT. HOTEL - KARLA AND TYRELL'S ROOM - NIGHT
Karla and Ben hit the bed in a rain of glass.

Karla bounces to her feet and dives out of the way as Ben swings his hook.

EXT. ROOM BALCONY - NIGHT
Karla backs onto the porch. She backs up against the railing.

THE SCENE CONTINUES AS IN THE FINAL CUT OF THE MOVIE

CUT SCENE #9
"I STILL KNOW WHAT YOU DID LAST SUMMER" CUT SCENE #9

EXT. ORCHARD - NIGHT
Will has Julie in a choke hold. He drags her toward the open graves. Julie is losing energy, slowly giving up.

JULIE
...Why?

WILL
Why? Come on, Julie. Think. You'll
get it. Will Benson -- Ben's son.

He shoves her. She falls backward into the arms of Ben Willis.

WILL (cont'd)
Hi, Dad.

Julie WAILS, struggling wildly in Ben's grasp.

JULIE
OMIGOD --

BEN
That's my boy.

Ben holds her back to look at her. He throws back the hood of his slicker. We see his face clearly for the first time.

JULIE
No, no, no --

Ben pulls off his hook and strokes Julie's cheek with his stump.

BEN
Shush, now. No more screaming...No
more running. Time to die.

RAY (v.o.)
Let go of her! Now!

Ben and Will spin to see

RAY

like the hero from a western, step out from behind a tree.

Ben starts to laugh. Will joins him.

WILL
You gotta be kiddin' me.

BEN
What're you gonna do, boy? Call
us names?

RAY
Let her go. Now.

Ray raises the .38 caliber handgun. He COCKS the hammer.

Ben doesn't let go of Julie. Lightning fast, he slaps his hook back on and gets the point to Julie's neck.

BEN
Think about it, boy. You're no
killer.
(beat)

That's my job.

Ray hesitates, his finger on the trigger. He does look scared.

Ben takes a step toward Ray. Then another, pushing Julie in front of him. Will moves closer, too.

RAY
Stop right there.

Ray's finger squeezing down the trigger.

BEN
You don't have it in you.

Suddenly, Will dives for Ray. Ray gets a shot off, tagging Ben in the shoulder. The gun goes flying.

Julie spins and hits Ben in the face. He knocks her into her own grave...Mud begins to slide in on her. She tries to scramble out.

Will and Ray wrestle, punching each other repeatedly in the face. Will has Ray down and his hands around his kneck. He looks him in the eye.

WILL
We haven't missed you down here,
Ray boy. I got to know Julie real
well.


Will gets the better of Ray. He's stronger. He yanks him up -- choking him. Ray is begging to check out.

WILL (cont'd)
Think of all the things I'm gonna
do to her.
(beat)
Dad, finish him.

Ben charges toward Ray's back. He pulls back the hook for a roundhouse slashing --

At the last second, Ray dips, elbows Will.

THE HOOK


goes straight into Will's chest.

The fisherman has hooked his own son.

Father and son make final eye contact, the son's eyes go blank.

Ben stares in shock as Will expires, falling back into the mud.

Ben SCREAMS in rage. Ray is tired.

THWACK. Ben begins beating Ray. He puches him. He straight-arms him with the hook. He knocks him again and again and Ray is beaten, giving up...

Ben has Ray against a tombstone. The hook slowly inches toward his eye.

BEN
Gonna blind you first.

The hook is touching the eyelid --

A GUNSHOT

rings out. A look of wonder crosses Ben's face. He slowly turns away from Ray.

JULIE

stands behind him holding the gun.

JULIE
Just...Die.

BLAM. BLAM. BLAM. She empties the gun into Ben, who flies backward into Julie's grave.

As he tumbles, Ben releases the dirt stacked beside the grave...

A MUDDY LANDSLIDE

slowly covers Ben up.

Ben's face is covering over. His mouth starting to fill with dirt --

BEN
You can't kill me.

His face is completely covered. His mouth still moving.

BEN (cont'd)
I'll always be with you.

The dirt covers him. It continues to fill, until just the

GLEAMING METAL HOOK

waves futilely out of the dirt. Then, is stops wiggling.

Julie goes to Ray.


CUT SCENE#10
"I STILL KNOW WHAT YOU DID LAST SUMMER" CUT SCENE #10

INT. HOUSE - DAY
Julie lets herself into the house. She leans her bike against another bike in the hallway.

It's a perfect day. Birds CHIRPING. WIND in the willows. There's another NOISE...from inside her house.

She goes perfectly still. And listens. Behind her, by the kitchen, the shadow of a FIGURE moves. She whirls.

NOTHING

She creeps down the hallway toward her kitchen. She pauses --

The dark figure almost knocks into her. She SCREAMS.

It's Ray. He's holding a disemboweled toaster.

JULIE
Ray...what are you doing?

RAY
(toaster)
Oh...it's not working right.
You're home early.
(sees she's shaken)
Did I scare you?

JULIE
Never do that again.

RAY
(tender)
Hey -- I didn't know you were here.
It's okay.
(beat)
We got the refrigerator in. Come
see.

She sees the love in his eyes. She hugs him.

JULIE
I love it here.

RAY
It's gonna be great.

CONTINUES AS THE FINAL CUT.


Deaths

Death No 1
Name: Dave
When Ray and Dave are driving to Julie, they spot what looks like a man lying face down in the road,and spookily enough there's a BMW there too. Thinking that the man has been run over, Ray goes to check it out. He finds that the 'man' in the road is a simple mannequin dressed up in a slicker, and realises too late that it is a trick. He turns just it time to see Ben Willis shove his hook through Dave's mouth and drag him out of the car window.

Death No 2
Name: Derrick
Derrick goes to make sure all the boats are in and tied,after a few minutes he's surprised by Titus pretending he's a monster,Derrick isnt amused and just wants to finish and go to bed,so he declines Titus's offer of going to the mainland and "Gettin Jiggy with it" Upon finishing what he's doing a rope gets pulled round his leg and he falls in the water,upon getting out he looks up to see the fisherman,one slash and he's hooked,he re-appears in Julie's closet and later in the storm shelter with the other bodies.

Death No 3
Name: Olga
Olga had alot of cleaning to do after most the guests had departed,on exiting a room she goes to the next room,knocks on the door and realise's there is blood on her hands,she looks to her cart for the most recent things she has picked up,there is blood on the sheets and as she turns round she see's the fisherman,a Scream later and she's hooked in the stomach,then dragged in the room,she appears again in a big tumble dryer and again in the storm shelter.

Death No 4
Name: Titus
Titus being the stoner that he is natrually had plants growing where he took residence,after seeing that they were growing to good standards he finds out his Bong and prepares to reach a "High" of some sort.. when out of the blue the fisherman walks in,as spooky as Ben is Titus slowly asks "Can i help you?" in which Ben replies with slamming his hook through Titus's hand,he then spots some garden shears and slams them in his chest! Bye Bye Titus! Another body that appears in the storm shelter.

Death No 5
Name: Mr. Brooks
Brooks was found by all the friends when they discover something isnt right,they want a radio and go to see Brooks about it in a rage,upon entering the office we see a dead Brooks with a knife in his head,this is an "Off Screen" kill and also on the wall we see the words "I Still Know" assuring Julie its Ben here on the island.

Death No 6
Name: Tyrell
Tyrell has had about enough with his so called "Vacation" as its not gone to his plans which was to basically have some "Quality time" with Karla,when entering the kitchen he's bashed with a bat by Nancy,he then makes it clear afterwards that he thinks there is no killer because he hasnt seen him,at this point Ben forces the hook in to the back of his neck and coming out the front of his throat,he's pulled upwards and dropped down onto the floor again.

Death No 7
Name: Estes
Estes disappeared after showing the kids the graves and seemed to not like Will as its thought he recognised him from his younger days at the island with Ben and his wife,later in the film we see Ben has forced a pole through him and he is dying fast,he falls onto Nancy.

Death No 8
Name: Nancy
She appeared to be tough like Julie and didnt have problems running away at high speed,upon finding the first aid kit for Will's FAKE wound she turns to see Estes moaning as he dies,he falls onto her and pins her down by accident,she cant get him off,this is where Ben Willis shoves the pole thats still in Estes further down in her killing her almost instantly.

Death No 9
Name: 'Will Benson'
A faker all along,just there to help his dad and set up Julie and friends,What a Tosser!! After fighting with Ray he stands Ray up for Ben to kill him,at the last moment Ray hits Will so he's then clear of Ben's path,Ben was at speed and continued with his hook toward them and accidentally Hooks Will,his son looks at him and then passes out dying right there.

DVD Details

The I Still Know What You Did Last Summer English DVD is presented in 16:9-enhanced widescreen, with an overpowering 5.1 sound mix. It has many good little add-ons (the main ones illustrated in the picture to the right of this), which include Scene Selections (so all you gore-hounds out there can niftily flick onto every death scene at the click of a button) and some brilliant extra features. These extra features are:

• Behind the Scenes Featurette




• The Teaser Trailer




• U.S Theatrical Trailer




• Jennifer Love Hewitt's "How Do I Deal?" Music Video




• Filmographies of all the Cast (though not, strangely, that of Fisherman Muse Watson!)

Soundtrack Details

1. CJ Bolland - Sugar Is Sweeter
2. Jennifer Love Hewitt - How Do I Deal
3. Deetah - Relax
4. Swirl 360 - Hey Now Now
5. Orgy - Blue Monday
6. Bijou Phillips - Polite
7. Jory Eve - Try To Say Goodbye
8. Grant Lee Buffalo - Testimony
9. Reel Tight - (Do You) Wanna Ride
10. Imogen Heap - Getting Scared
11. Lamb - Gorecki
12. John Frizzell - Julie's Theme

Other Songs in the Movie...
1. Hooverphonic - Eden
2. Whitesnake - Here I Go Again
3. Tschiwala - Venus Got It Going On

Score Details

1. Confession
2. Julie's Theme
3. Julie's Apartment
4. Who's in the closet?
5.Hooverphonic-Eden
6. Nightclub
7. Noise in the dryer
8. Roadkill
9. Flatline
10. I won't Survive
11. The Note
12. The Rose
13. Derrick Docked
14. Housekeeping
15. The Shower
16. The Closet
17. Voodoo
18. Shear Death
19. Ray buy's a gun
20. The Gym
21. Suntan
22. All hell breaks loose
23. On the pier
24. Voodoo too
25. I Know who you are, Tal
26. The graveyard
27. Icebox
28. Ty's worst vacation
29. Glass roof
30. The Greenhouse
31. Storm Shelter
32. It's not my blood
33. Confrontation
34. Rescued
35. Coming home
36. Coda
37. Gotch
38. BONUS Julie's Theme


Box Office Details

Budget
$24m (USA)

Gross Revenue
$84,002,112

Opening Weekend
£802,498 (UK) (9 May 1999) (279 screens)
$16.52m (USA) (15 November 1998) (2443 screens)

Gross
£2.657m (UK) (13 June 1999)
£2.549m (UK) (6 June 1999)
£2.329m (UK) (30 May 1999)
£2.054m (UK) (23 May 1999)
£1.599m (UK) (16 May 1999)
£802,498 (UK) (9 May 1999)
$39.989m (USA) (21 February 1999)
$39.94m (USA) (14 February 1999)
$39.9m (USA) (7 February 1999)
$39.842m (USA) (31 January 1999)
$39.738m (USA) (24 January 1999)
$39.559m (USA) (17 January 1999)
$39.292m (USA) (10 January 1999)
$39.167m (USA) (3 January 1999)
$38.567m (USA) (27 December 1998)
$37.921m (USA) (20 December 1998)
$37.155m (USA) (13 December 1998)
$35.96m (USA) (6 December 1998)
$33.501m (USA) (29 November 1998)
$26.221m (USA) (22 November 1998)
$16.52m (USA) (15 November 1998)

Weekend Gross
£58,289 (UK) (13 June 1999) (145 screens)
£106,567 (UK) (6 June 1999) (208 screens)
£160,899 (UK) (30 May 1999) (224 screens)
£261,802 (UK) (23 May 1999) (272 screens)
£486,127 (UK) (16 May 1999) (279 screens)
£802,498 (UK) (9 May 1999) (279 screens)
$1.732m (USA) (6 December 1998) (2212 screens)
$4.461m (USA) (29 November 1998) (2473 screens)
$7.018m (USA) (22 November 1998) (2443 screens)
$16.52m (USA) (15 November 1998) (2443 screens)

Admissions
1,010,757 (Germany) (6 June 1999)
960,219 (Germany) (30 May 1999)
523,580 (Germany) (9 May 1999)
270,208 (Germany) (2 May 1999)

Awards and Nominations

ALMA Awards
Year	Result	Award	Category/Recipient(s)
1999	Nominated	ALMA Award	Outstanding Actor in a Feature Film in a Crossover Role Freddie Prinze Jr.
Blockbuster Entertainment Awards
Year	Result	Award	Category/Recipient(s)
1999	Won	Blockbuster Entertainment Award	Favorite Actress - Horror Jennifer Love Hewitt
			Favorite Supporting Actor - Horror Freddie Prinze Jr.
	Nominated	Blockbuster Entertainment Award	Favorite Actress - Horror Brandy Norwood
Csapnivalo Awards
Year	Result	Award	Category/Recipient(s)
2000	Nominated	Golden Slate	Best Horror Movie
MTV Movie Awards
Year	Result	Award	Category/Recipient(s)
1999	Nominated	MTV Movie Award	Best Breakthrough Female Performance Brandy Norwood